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How to Add More LGBTQ Characters to Your Fiction.Update: Uploaded a new version with additional voices and a few tweaks. You can imagine Mikuru Asahina playing the repeated high C eighth notes if you wish. There’s also a 50-minute orchestral “realization” of In C at the site - unfortunately, using what sounds like an undistinguished general midi soundset. You can download the score here if you want to follow along or organize your own performances.

I likely will revise and expand this arrangement sometime soon. It probably doesn’t truly represent what In C should be, but it might suggest how the music works. It’s a little over eleven minutes long, and there are only five voices - six, if you count the “pulse.” I didn’t plan it out beyond shifting loops nicely out of phase. This is a stripped-down, streamlined version. I could just launch Logic and sequence as many voices as I wanted. 1 It was more engaging than I remembered, and it occurred to be that I didn’t need to round up 35 musical friends to get an idea of what In C sounded like. A few days ago, I heard Riley’s A Rainbow in Curved Air for the first time in decades (not counting its use in The Hitchhiker’s Guide to the Galaxy radio program). Performances normally run between 45 and 90 minutes, according to Riley.Īlthough I’ve occasionally read about In C - it’s perhaps the first example of musical “minimalism” - and I’ve looked at the score, I’ve never actually heard it. Riley suggests a group of about 35 musicians. The performer plays each phrase in sequence, repeating it as many times as he wishes, before moving on to the next phrase. It consists of 53 numbered phrases ranging in length from two sixteenth notes to 32 quarter notes. Two of the pages are performance directions the actual music all fits on a single page. There are three pages to the score for Terry Riley‘s In C.

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